About Frances White

• Profile by James Pritchett written for Array (the journal of the International Computer Music Association) in 1996.

• On women in computer music, written in response to Mara Helmuth's statement.
• Composer and material in musique concrete (1990) is a summary of my thinking about the use of "real world" sounds in electronic music, with reference to specific works by Dodge, Stockhausen, and Risset.

2004

• Guggenheim Foundation Fellowship
• Grant from Mary Flagler Cary Charitable Trust to create work commissioned by The Pen and Brush for soprano Kristin Norderval
• American Music Center Composer Assistance Program Awards for Centre bridge (dark river) and The old rose reader

2003

• Honorable Mention, EAR 2003 (for The seasons and the constellations)
• Djerassi Resident Artists Program Honorary Fellowship
• Artist's Residency, Djerassi Resident Artists Program
• Residency Fellowship, The MacDowell Colony

2001

• First Prize, 2001 SUNME Composer's Competition (for Like the lily)

1999

• Second Prize, Ear 99 Competition (for Centre Bridge)
• Composer-in-residence, Institut International de Musique Electroacoustique de Bourges (Bourges, France)

1997

• Prizewinner, 24th Bourges International Electroacoustic Music Competition
• Guest composer at the 4th Feminist Theory in Music conference (Charlottesville, VA)

1995

• Guest composer, Other Minds Festival (San Francisco, CA)
• Nominee, CalArts Alpert Award in the Arts

1994

• Honorary Mention, Prix Ars Electronic 94

1993

• Composer-in-residence, University of Missouri-Kansas City

1992

• Composer-in-residence, Groupe de Musique Expérmental de Bourges (Bourges, France)

1990

• ASCAP Foundation Grant to Young Composers
• First prize (program music) and second prize (tape and isntrument), 18th Bourges International Electroacoustic Music Competition